Competitions at Next Gen Dances PDF Print
Why do we have competitions at Club dances?
It provides a bonus activity that makes our dances more interesting, both for competitors and spectators:
  • Competitors gain experience and confidence dancing for an audience.
  • Spectators get a show (entertainment).
What types of competitions are appropriate at Club dances?
We could choose to hold two types of competitions: novelty contests or serious competitions.
  • Novelty contests could include anything from dancing with blindfolds to wearing special costumes. Usually, the idea is to have fun rather than show good dancing. Entertaining the audience is more important than dancing well.
  • Serious competitions may be more relaxed at a Club dance than at a weekend event, but competitors take them seriously and the judges are looking for the best dancing. At Club dances, some form of Jack & Jill or Strictly Swing is usually the most appropriate contest.
Why don’t we do more novelty contests at our dances?
While they are fun, they are not particularly a draw that will increase attendance. Serious contests typically increase our dance attendance dramatically.
Why do we do a “Luck of the Draw” contest?
A “Luck of the Draw” contest is an inclusive version of the traditional Jack & Jill, where both genders can choose to sign up as leaders or followers. In practice, most dancers will sign up for the traditional gender role, but occasionally someone will sign up for a non-traditional role (most often a woman who wants to lead). The board of directors approved this policy for Club dances several years ago so that all dancers would have the opportunity to compete regularly at our dances. (At the time, one of our regular competitors was a female Club member who only knew how to lead; she could not have competed in a traditional Jack & Jill). Note: For Boogie by the Bay we offer the traditional Jack & Jill rather than “Luck of the Draw.” The convention committee adopted this policy for two reasons:
  • The World Swing Dance Council currently only tracks points for traditional Jack & Jill contests. Since we use WSDC points to determine who is eligible for each J&J division, a woman who wanted to lead (or a man who wanted to follow) would not have any points recorded to dance in higher divisions. Also, if our competitions were Luck of the Draw, the WSDC would not record points for our winners.
  • Persons who want to dance non-traditional roles (reverse-role couples or same-gender couples) can choose their own partner and enter our Strictly Swing competitions.
Why do we do a “Progressive” Luck of the Draw contest?
Several years ago, attendance at our Club dances was down. Kim Liu (president of TNGSDC at the time) and I talked about ways to generate excitement and increase attendance. We proposed to the board of directors that the Club try an idea suggested by Kim Bergquist (Blume), who had seen “Progressive” contests in Southern California and thought they would be a good idea here too. We have run over seven years of these contests now, and experience has shown that they have helped increase our dance attendance. In fact, our “Progressive” contest has been so popular that other local Clubs started “Progressive” contests at their Club dances.
Why do we allow “open” signups?

Why do we allow open signups for our contests rather than offer separate divisions such as Novice and Advanced? Isn’t this unfair to novice competitors? There are several reasons:

  • An open contest encourages the advanced competitors to mix with the novice competitors. Advanced dancers are more likely to ask novice dancers to dance during social dancing if they know they might draw them as competitors. It teaches everyone good sporting conduct. It also more accurately reflects the social dance floor, where people of all levels might be dancing together. This mix is closer to the original spirit of the J&J contest, which was invented to encourage competitors to mix rather than just dance with their regular partner.
  • Clubs that offer several J&J divisions typically have weekly dances rather than monthly dances. That way, a different division can compete each week.
  • For us, an open contest seems to draw the most participants. While separate divisions make sense at large weekend events, they don’t work so well at our Club dances, especially for novice competitors. Whenever the Club has offered a Novice J&J in the past, we’ve had very few signups.
  • With an open contest, we don’t have to track “points” or worry about which dancers are eligible for each division.
Why do we let people who have already qualified for the Progressive Luck of the Draw finals continue to enter the contests every month?

Wouldn’t it be better to limit signups to those who haven’t qualified for the finals yet? There are several reasons for allowing people to compete as often as they want:

  • It encourages those who have already qualified (and their friends) to keep coming to our dances every month. Remember, the original goal of these contests was to increase our dance attendance.
  • Each contest is a stand-alone competition as well as part of the Progressive series. Competitors draw new partners each time, and don’t always dance well every month. We want each contest to be the best it can be. If all the most experienced competitors qualified for the finals early in the series, then limiting signups to those who haven’t qualified might mean that the later contests could get progressively worse. This would make them less appealing (to competitors and spectators) and again might negatively affect our dance attendance.
  • Allowing people to compete as often as they want makes life easier for the competition coordinator. Some people who have qualified for the finals don’t sign up again, but they tell me they will participate if I need extra people to balance the number of leaders and followers.
  • Although some people believe that “the same people always win,” the truth is that most people don’t place in the top three (to qualify) more than 1 or 2 times during our Progressive series, and nobody has ever placed more than 3 times.
Why do we let juniors (under 18) compete?
Because juniors are an important part of our dance community too. Our mission statement encourages us to live up to our Club name and welcome the “next generation” of dancers.
Why don’t we do prelims?

If we did, we could cut the finals to fewer than 10 couples, and maybe do spotlight finals dances.

  • Primarily to save time. We are on a very tight schedule at Club dances. The contestant meeting, the contest, scoring, and awards all have to happen between 8 pm and 9:30 pm.
  • The entire contest doesn’t take more than 10-15 minutes away from social dance time. This minimizes complaints from spectators who primarily just want to social dance.
  • Running the contest in one group heat (finals only), which we can do if we have an equal number of leaders and followers, gives each couple three or four dances to several styles and speeds of music. It also gives the judges time to observe and compare all the couples.
  • The group heat is less intimidating for newcomers than spotlights would be.
  • It gives all the competitors practice in being visible in a group heat, which is a skill they need in order to make finals at weekend events.
What are the prizes at Club dances?
  • We provide one complimentary dance pass (value: $7-$12) to the top three leaders and followers each month. This minimizes the Club’s costs in holding competitions.
  • For the finals, the Club contributes Boogie by the Bay tickets for the winners.
Who selects the competition music each month?
The DJ for each dance selects the competition music for that dance, after consulting with the competition coordinator.
Who selects the judges?
The chief judge selects the judges for each competition.
What qualifications do judges need to possess?
All judges for our Club contests are either:
  • Professional dance instructors; or
  • Amateur dancers with extensive training as judges.
Are the judges paid to judge?
No. We do give the judges complimentary admission to the dance as a “thank you” for their time.
Why don’t we just let the audience decide the winners (via applause)?
Because that would turn the judging into a popularity contest. Plus, many of the competitors are hoping to get some serious feedback from judges so they can improve their competing skills.
What would I have to do if I wanted to become a judge?
You would start by signing up for judging workshops. Then you would practice judging as often as possible by “mock judging” at weekend events and local dances. At Club dances you can arrange to discuss your scores afterwards with the chief judge for that competition. Eventually, when you are ready, you would be asked to judge “for real.”
Who scores the results of our competitions?
At Club dances, the chief judge for that month does the scoring. We normally ask at least one of the other judges to assist to minimize the possibility of errors. We use the standard Relative Placement scoring system.
Why do we have to have a contestant meeting before every competition?
I have competed in J&J contests dozens of times. Wouldn’t it be easier to just call out the names of everyone who has signed up when it’s time for the contest?

Contrary to popular belief, the primary reason for contestant meetings isn’t to explain the rules; it is to do a roll call to make sure that we know about everyone who is supposed to be in the contest. That way, if there are problems, we take care of them before the contest actually starts. In most cases this makes the actual contest run quickly and smoothly. An example of the types of problems that can happen is what occurred at the finals one year when one of the leaders (who was at the meeting) disappeared just before the contest, so suddenly we didn’t have an equal number of leaders and followers, and we had to scramble to figure out what to do instead.

Other reasons to have a contestant meeting:
  • To give the judges a chance to hear the roll call to see if they know all the contestants. (The judges also use the time right after the meeting to write the names and numbers of the leaders on the judging sheets, so they only have to fill in followers’ names after the rotation for partners.)
  • To pass out contestant numbers and safety pins.
  • To explain any unusual procedures.
  • To answer any questions from contestants.
What do we do to keep things fair?
The competition coordinator and the Club president do not compete, to prevent any appearance of a conflict of interest.
  • The contestant meeting provides an opportunity for competitors to ask questions.
  • DJs play a variety of styles and speeds of music.
  • The partner rotation method used (typically selecting a card from stack of playing cards) makes sure that each competitor has an equal chance of drawing any partner.
  • We always use a minimum of five judges.
  • Scoring is always done by at least two people.
  • Contestants may ask to view the tally sheet of scores after the competition to see how they did.
  • Feedback from contestants, judges, spectators, and board members is welcome.
 
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